Mushroom dinner
A private dinner based on the comic book "Mythogenic Love of Castes" led by chef Ulyana Suzdalkina, who received a Michelin recommendation
Chef Ulyana Suzdalkina (White Rabbit) hosted the guests at a private dinner dedicated to the comic book "Mythogenic Love of Castes". The program includes delicious dishes with alcoholic and non—alcoholic accompaniment, conversations about the beautiful, chanson and red poppies.
The MLK in Comics project ended with a chamber dinner in the gallery, where Ulyana Suzdalkina, a virtuoso of vegetarian cuisine with impressive experience and prestigious awards, created a truly gastronomic symphony. Pavel Pepperstein, the curator of the exhibition, suggested topics for small talk, and the Nakovalnya team and her friends organized a luxurious set design right on the site.
The event brought together journalists, special guests and the first fans of the gallery, immersing everyone present in the atmosphere of art, taste and friendly discoveries.
The MLK in Comics project ended with a chamber dinner in the gallery, where Ulyana Suzdalkina, a virtuoso of vegetarian cuisine with impressive experience and prestigious awards, created a truly gastronomic symphony. Pavel Pepperstein, the curator of the exhibition, suggested topics for small talk, and the Nakovalnya team and her friends organized a luxurious set design right on the site.
The event brought together journalists, special guests and the first fans of the gallery, immersing everyone present in the atmosphere of art, taste and friendly discoveries.
The market in the garden
Exhibition of works by artist Vitaly Barabanov at the Danilovsky market in Moscow
The market is a place where various gifts of nature are concentrated, and with the arrival of each new season, its landscape also changes: instead of some vegetables and fruits, others appear, bright greens are replaced by root vegetables.
Danilovsky Market and Nakovalnya decided to complement the scenic space with ten paintings by Vitaly Barabanov in order to observe how the artist's vivid fictional nature will transform the usual shopping malls.
In addition to the exhibition itself, a shop was located at the main entrance, where instead of the usual fruits and vegetables, visitors could purchase posters with works by Vitaly Barabanov. This combination of art and everyday life has created a unique atmosphere, combining a traditional market and a creative space.
Danilovsky Market and Nakovalnya decided to complement the scenic space with ten paintings by Vitaly Barabanov in order to observe how the artist's vivid fictional nature will transform the usual shopping malls.
In addition to the exhibition itself, a shop was located at the main entrance, where instead of the usual fruits and vegetables, visitors could purchase posters with works by Vitaly Barabanov. This combination of art and everyday life has created a unique atmosphere, combining a traditional market and a creative space.
LIME Presentation
Presentation of the new collection of the LIME fashion brand in the gallery space
The Nakovalnya Gallery has teamed up with the LIME fashion brand to present a new collection.
This renovated interior, located in a prestigious area on Prechistenskaya Embankment, hosted a large-scale press screening that brought together journalists and celebrities in one room.
Thanks to the panoramic windows, concise design and thoughtful organization of the space, the event combined a demonstration of the collection and a social gathering, emphasizing the unique format of the gallery as a place for exhibitions, filming, screenings and dinners.
This renovated interior, located in a prestigious area on Prechistenskaya Embankment, hosted a large-scale press screening that brought together journalists and celebrities in one room.
Thanks to the panoramic windows, concise design and thoughtful organization of the space, the event combined a demonstration of the collection and a social gathering, emphasizing the unique format of the gallery as a place for exhibitions, filming, screenings and dinners.
Room 304
Mikhail Rubankov created an exclusive immersion room for the Marco Polo Hotel
In collaboration with the Marco Polo Hotel in Moscow, at 9 Spiridonyevsky Lane, artist Mikhail Rubankov created a unique total installation called "Room 304". This work occupies a separate hotel room, which has been available for living and use in reality for six months since the end of June. The project was curated by Roman Shalganov.
The concept of the installation is based around an atmosphere of noise and interference: there is an old receiver by the bed, a monotonous metallic hum sounds, something is happening and approaching, creating an alarming sense of mystery and mystery. The room combines various mediums — graphics, readymade and sculpture. The space also contains recognizable works in the form of peepholes hidden in unexpected places, which involve the viewer in the search for a paranoid clue, as if getting into the atmosphere of a Kafkaesque strange and disturbing plot.
"Room 304" is not just an exhibition, but a living space where guests can not only watch the installation, but also stay in it for a while, immersed in the mystical world created by the artist.
The concept of the installation is based around an atmosphere of noise and interference: there is an old receiver by the bed, a monotonous metallic hum sounds, something is happening and approaching, creating an alarming sense of mystery and mystery. The room combines various mediums — graphics, readymade and sculpture. The space also contains recognizable works in the form of peepholes hidden in unexpected places, which involve the viewer in the search for a paranoid clue, as if getting into the atmosphere of a Kafkaesque strange and disturbing plot.
"Room 304" is not just an exhibition, but a living space where guests can not only watch the installation, but also stay in it for a while, immersed in the mystical world created by the artist.
Game hayloft
The game hayloft is the pavilion of the Anvil Gallery for the Archstoyanie festival, implemented jointly with the UTRO Arch Bureau
The conceptual basis of the project was video games and pixel graphics.
The pavilion frame is a structure as a coordinate system, the basis of any 3D visualization. According to the original idea, the scaffolding was replaced with a chromakey-colored wooden frame during the implementation process. The space itself is a rectangular maze with two symmetrical exits, like in a Pac-Man game. There are white circles on the floor, similar to the ones that the hero of the game ate.
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Wall filling — bales of hay, as an analogy to pixel cubes from Minecraft.
Themed art objects were placed on the walls, and an area with game consoles was located in the center. Everyone could play video games, selected specifically for the main theme of the festival "The Game of prediction".
The green illumination from the outside emphasized the acid-green coordinate axes, and the interior red referred to the design of the levels in classic shooters.
The pavilion frame is a structure as a coordinate system, the basis of any 3D visualization. According to the original idea, the scaffolding was replaced with a chromakey-colored wooden frame during the implementation process. The space itself is a rectangular maze with two symmetrical exits, like in a Pac-Man game. There are white circles on the floor, similar to the ones that the hero of the game ate.
⠀
Wall filling — bales of hay, as an analogy to pixel cubes from Minecraft.
Themed art objects were placed on the walls, and an area with game consoles was located in the center. Everyone could play video games, selected specifically for the main theme of the festival "The Game of prediction".
The green illumination from the outside emphasized the acid-green coordinate axes, and the interior red referred to the design of the levels in classic shooters.
The Electric Kool-Aid Show
The Electric Kool-Aid Show is a personal project by artist Kirill Burygin, presented by the Reloft ART Gallery in collaboration with the Anvil Gallery in the lobby of the Marco Polo Hotel
The name of the project refers to the countercultural phenomenon of the 1960s - the Happy Pranksters happenings and their famous "electric cooling acid tests", during which participants had a new experience of perceiving reality.
The characters of Kirill Burygin's artistic world are ambivalent in nature: their exaggerated, grotesque features are both unique and universal, which creates the effect of parodying reality.
Each plot takes a theatrical and spectacular form, where the hero becomes not only the object of collective laughter, but also spreads it to the whole surrounding world. When creating works, the artist uses functional things: screens, surfboards, chests and chairs. This memory of the utilitarianism of objects blurs the line between the theatrical hero-performer and the viewer, both of them become participants in the action. It is not played out, but committed and lived by them "here and now", forming a single collective experience and freeing fantasy from the hierarchy of social conventions.
The characters of Kirill Burygin's artistic world are ambivalent in nature: their exaggerated, grotesque features are both unique and universal, which creates the effect of parodying reality.
Each plot takes a theatrical and spectacular form, where the hero becomes not only the object of collective laughter, but also spreads it to the whole surrounding world. When creating works, the artist uses functional things: screens, surfboards, chests and chairs. This memory of the utilitarianism of objects blurs the line between the theatrical hero-performer and the viewer, both of them become participants in the action. It is not played out, but committed and lived by them "here and now", forming a single collective experience and freeing fantasy from the hierarchy of social conventions.
